It does have its flaws that drive me crazy, but the good outweighs the bad Cubase though.chord track is handy as fuck, the mix consoles the most user friendly, it's got the most in depth support for external midi gear, a lot of other stuff also but the list escapes me lol Ableton is more of a performance tool to me, frooty loops I used for 20 years to make drums but I don't like it for much else. Studio One (at the time) had 0 external midi support and alot of the same things that make me dislike PT. I've used enough protools to a)get the cert and b)know that I hate protools lol. So why cubase? Some of it was dislike for other programs. Once it fucked up a session it was time to go. Made a lot of money on cakewalk, but the free version is shady as fuck and about 2 years ago Sonar XL started acting weeeeeird after one of the bigger win10 update. If I could I would still be using cakewalk, been a registered user since cakewalk pro in high school, and I ran pro audio and then Sonar up through xl in my studio. or even Studio One Professional (surprisingly well-stocked). The Kontakt 6 and even AIR Structure 2 Factory Libraries are much better, and that stuff is simply not going to compare at all to what you get with Live Suite, Logic Pro, Samplitude Pro X Suite. The sounds aren't as good as even budget Kontakt Libraries, and there are massive gaps in the sound set - so you will have a hard time depending solely on that. None of the HALion Sonic SE 3 Library Content is remarkable, and a lot of them are General MIDI Sound patches. The synths included are decent Retrologue and Padshop are decent. It's too cheap to get better, these days, especially if you're actually making money producing music (in which case there is actually a business incentive to use the better stuff, and not "Settle for stock"). The better stuff is (in many cases) routinely on sale. Third parties are almost always going to be better, often far better, so apart from "marketing" ("We have 80+ plug-ins," etc.) they aren't going to bring a huge amount of value to most users (who tend to move off of them quite quickly). I actually don't think it's great for a DAW developer to invest heavily in plug-in development - particularly for the creative FX. It's about the features the DAW has that are relevant to you and the music you produce. is Cubase Pro actually a better deal than Cakewalk by BandLab + Komplete Ultimate for the same price during one of many promotional periods throughout the year? Keep in mind, it's not really about the DAW's RAW feature set. If you aren't a composition or film scoring professional. However, most people who are going to pay $600'ish for a DAW probably can afford better FX to add to it - or they can spend far less on a different DAW and use their money to actually buy the better FX to add to that DAW. The Mixer in Cubase is really good, and the ability to have up to 4 Mixer views is a big workflow consideration - particularly to "actual professionals." In any case, the composition and scoring-oriented feature set is the biggest selling point of Cubase, not the stock FX. They're competitive with most other DAWs stock plug-ins. They are not competitive with "Premium" plug-ins, though. They did get a UI Revamp relatively recently, but the DSP code is actually the same so, people who are forming a bias based on look and feel when comparing the stock FX in Cubase (most of them) to comparatives in other DAWs are falling victim to the "looks better, must be better" fallacy. In almost every case, there is a better choice available, and many of them aren't exactly breaking the bank.Ī lot of Cubase' FX are quite old - as is the case with many DAWs. I think they're all usable, but the same could be said for 90% of other DAWs on the market. When you say premium, it's telling me that it's as good as other "Premium" stuff. The closest thing it has to a Drum Synth is Backbone, which is not bundled with Cubase. Nothing in Cubase is as good as Trash 2, which is only a stone throw short of Freebie, these days.Ĭubase doesn't have a stock Transient Shaper plug-in. I would use FabFilter Pro-Q3 or even MDynamicEQ over ProEQ 2 any day of the week.ģrd parties supply better Guitar and Saturation FX (IK Multimedia, Softube, Native Instruments), as well as anything that models or emulates Analog Hardware (Samplitude Pro X AM-Suite+, Softube, T-RackS, Komplete Ultimate Mix/Master FX, etc.). Some of the Modulation FX are decent-enough, but not competitive with "Premium" plug-ins. 3rd party Reverbs like Pro-R, Spaces, Valhalla and NeoVerb are better and offer better workflow than their Stock Cubase comparatives. IMO, the stock Algorithmic and Convolution Reverbs in Ableton Live and Samplitude Pro X are better, as are those in Logic Pro and a couple of others. I think multiple other DAWs have better Stock Reverbs.
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